Harmonic Practice in Tonal Music has 25 ratings and 2 reviews. Wain said: This book is thorough and really quite excellent, but it has some negatives as. Documents Similar To Harmonic Practice In Tonal Music – Robert Gauldin. Robert Gauldin – Harmonic Practice. Uploaded by. Miguel Santana. Robert. Gauldin – Harmonic Practice in Tonal Music – Download as PDF File .pdf) or read online. Title & Contens.
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Conceptually sophisticated and exceptionally musical, Harmonic Practice in Tonal Music provides a thorough treatment of harmony and voice-leading principles in tonal music. Would you like to tell us about a lower price?
If you are a seller for this product, would you like to suggest updates through seller support? Taking a linear functional approach, Professor Gauldin uses clear explanations and outstanding musical examples to show students how individual chords function in the overall structure of a piece, explaining how both harmonic and melodic forces contribute to the development of musical ideas.
For the Second Edition, Professor Gauldin has undertaken a comprehensive revision that responds directly to the suggestions of instructors. The new text emphasizes fundamental concepts, using a more effective organization and simpler, more accessible language to bring the most important ideas and information to the foreground. The music literature examples included in the text are now available on this single CD-ROM with performances by students and faculty from the Eastman School of Music.
Read more Read less. Discover Prime Book Box for Kids. Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Harmony and Voice Leading. What other items do customers buy after viewing this item? Anthology for Musical Analysis Spiral-bound.
Harmony in Context Hardcover. Product details Paperback Publisher: I’d like to read this book on Kindle Don’t have a Kindle? Share your thoughts with other customers. Write a customer review. Showing of 12 reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later. A good book for music teachers.
: Harmonic Practice (): Robert Gauldin: Books
Received first of June with thanks. On first inspection, good quality.
This text is a great source to learn music, I love it. Much much better than what I expected. I quite enjoy professor Gauldin’s harmony text. It was comprehensive and yes, as the publisher’s review states concise.
While in theory pedagogy class I was able to study and dissect over two dozen texts from various regions and time periods. The use of basic Schenker reductions is an excellent idea and one that helps the students realize linear aspects of the music that many past harmony texts either ignore or too briefly discuss. The overall appearance of the book is very similar to many of the current high school texts that students use today.
This is a comfortable approach for students coming into theory for the first time or with little background in the area. Many of the reviews I have read seem to be critical in areas they know little of.
Yes, Gauldin presents the basics scales, chords, etc. Also, many critics have discussed professor Gauldin’s scale building on 5ths. While this is in the text it is not the primary focus on scale construction, merely a footnote p. Overall this is a very good theory text for undergrauates which could and eventually will use some improvements the misprint in the bass of the second mm.
This book gives much insight into many aspects of beginning theory, basic Schenker principles, voice-leading, form the excursions are a great ideaand analysis that many other books in this field often neglect. Like most popular theroy texts, “Harmonic Practice” is excellent for an undergrad program, so long as the students have a teacher with a strong foundation in theory.
I highly recommend this prctice. Benjamin Ayotte benayotte aol. Robert Gauldin’s textbook aims at instilling in the student an awareness of the linear forces that create music.
In his preface, Gauldin states that traditional theory and functional harmonic analysis “tends to neglect the melodic aspects of the music and the way those linear forces shape the harmony. The text is organized into four main sections: Five appendices include acoustics, modes and scales, species counterpoint, Jazz and commercial music, and conducting patterns. The text purposes to introduce harmohic to linear-reductive i. As it is not a text in Schenkerian analysis per gaauldin, and as the more remote structural levels are progressively more difficult to perceive Gauldin does not burden the haemonic with Harmonc more esoteric terminology for larger formal constructs.
Gauldin also provides the student with an introduction to the implication-realization models of Leonard B. The explanations of concepts are lucid and conversational; the analyses are insightful and reveal to the student the fundamental voice leading underlying a given passage.
An important by-product, to be sure, and one that in the nineteenth and twentieth centuries assumes the structural role held by melody in the previous centuries.
Yet it is important to teach music theory from an historical perspective, and Gauldin’s text does just this. He achieves a perfect balance between the vertical and the horizontal dimensions of music. See hwrmonic 12 reviews. There’s a problem loading this menu right now. Learn more about Amazon Prime. Get fast, free shipping with Amazon Prime. Get to Know Us. English Choose a language for shopping.
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Robert Gauldin | W. W. Norton & Company
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