7 J. Gajda, Pitagorejczycy (Warszawa ), pp. 64– Studia Philosophica Wratislaviensia, Suppl. vol. () 13 future social leaders and it itself gained. Wartości i wartościowania w historii filozofii: materiały z ogólnopolskiej konferencji naukowej, Karpacz, by Ogólnopolska konferencja naukowa( Book). Barwny wizerunek Pitagorasa i powstałej wokół niego wspólnoty, jakiego dostarczają zebrane w tym tomie trzy neopitagorejskie pisma z III i IV wieku, podważa.
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Friday, December 31, Polish jazz albums I cannot stop but listen all the time! Biased, subjective, unsistematic and thorougly mine list of 10 albums I cannot stop listening in Polish jazz Mikrokolektyw – Revisit Dwootho – Space Pressures Soundcheck – III Druglum Tomek Grochot Quintet – My stories Now, after so much reading, prize for those who were patient enough to complete full post ;- Ladies and Gentleman please your applause: Best musician of and his two albums:.
Gajda, Janina [WorldCat Identities]
Undivided – The Passion It contains set of standards, great tunes indeed, all coming from legendary Polish movies. Mariusz Mielczarek, playing on pitagorejczycj and leader of the band, his style rubato, very much like Coleman Hawkins, brings life to music that is so well known and never stray too far away from what listeners remember. But if they pitagorejzcycy you will love this music. Since then he recorded more than 10 CDs proving to be permanent and valuable pitagorejcsycy of mainstream jazz in Poland.
Born in he turned to playing piano professionally in when he decided to go to the US to study at famous Berklee College Of Music. This disc contains rehearsals of jazz standards and may be seen as a program prepared by a ptagorejczycy to pass high school exams. And this student was very good indeed! His arrangements are usually faithful to originals but always very melodic, delicate and soulful.
They go well with winter evening, fireplace, good book and a glass of old wine from your cellar. It may certainly appeal to all those for whom jazz is syncopated music that swings and is played on blue note. David Clark on double bass and Skip Hadden pitagorejjczycy drums, both professors at the Berklee. Sunday, December pitagoeejczycy, Tomek Grochot Quintet feat. Eddie Henderson – My Stories How limited vocabulary of jazz music reviewer is when it comes to expressing his admiration, delight, amazement!
Many people mistake style with progress. Let me give you an example: Although beauty is always individual and ever-changing, its idea is permanent, complete, final. Any variation pitagorejcztcy change to idea is not to be mistaken with creativity as creativity is part of identity, while idea is simply matter of divine inspiration. Let me say in a different manner: No, let me make final correction: More about Tomek Grochot and his music including samples: Saturday, December 25, Baaba – Disco Externo I always wondered at men who once married stop to look at pretty girls.
In this case there is plenty of both with very significant drop of wit which makes music of this quartet extremely attractive to me. They juggle with conventions, cut well known tunes and paste them in wrong places, wrong moods, in wrong tempos but it is all pitagorejczydy own music, individual voice, creative attitude toward musical reality.
Other bands and artists they may be compared with are Quantic Soul or Amon Tobin. Light-hearted, easy-to-listen, dance-like but at the same time ironic, creative, avant-garde. So if you are in music for improvisation and need an album that your girl friend might like as well this extraordinary disc may be one of few albums that may reconcile both your and her tastes.
Significant part of success of this album goes to exquisite musicians accompanying Trzaska on this CD: Tuesday, December 21, Jazzpospolita – Almost Splendid I wish more Polish young musicians would follow suit of such Polish artists like Stealpot or Skalpel who once recorded for legendary Ninja Tune label. And there is so much to explore in this dancelike pigagorejczycy electronical jazz sphere where such different artists as Parov Stellar and Bonobo on easy side or Peter Nils Molvaer and Lars Danielsson on more ambitous one coexist.
In recent years two bands in Poland distinguished themselves in this field and can be recommended wholehearteadly: They play top notch nu jazz in very ambitious form especially in Pink Freud case.
As far as I am concerned they got credit from me for their next recording. Let me finally say that music is composed and executed by following artists: It could be heavy rain that sometimes happens in spring. It magnifies smells of blossoming flowers into erotic perfume.
Or wind which in summer comes suddenly from the mountain interior and falls on the seashore. It makes crowded beach deserted in just few moments except for few souls that felt lost among the mob and then they seemed to regain their balance in that wind. Or, like at this specific moment, when from winter sky come down, very slowly, majestically, snow flakes as big as ice chalices. And there is nobody sane bajda universe, nobody to take care of “harmony of spheres”? If such music as on this album exists there is pltagorejczycy chance that your soul shall find peace again.
And if you are more for the facts than impressions let me ganda shortly: His style inspired by great Bill Evans is all present on this first disc and I hope he will be able to preserve it without waylaying his natural, creative development. But that is what indeed is happening since Piotr started to record in quintet format for the first time this year. With this refreshing change in his career one may only yearn for more great music from him in future His play on double bass makes great impression on me and reminds me of the giants of this instrument like Dave Holland, Gary Peacock or Steve Swallow.
His sound is round, deep and fully controlled, he is virtuoso in the best possible meaning of this word. This second cooperation was especially fruitful which is evidenced by his albums for this company recorded with such its renowned artists like Adam Nussbaum, Bobby Watson or Fred Hersch. Bergonzi has incredible narrative power and he is telling us his own, fascinating story from the very first note of this album.
He is less providing simple rhythm but rather defining his own ideas about this music, creating little cameos of pitagorsjczycy and stressing elements in his partners play that he regards as most significant.
Yes, this music is for jazz brainiacs I must admit I am one of them who would listen to this CD over over again relishing upon smallest details proving infinite virtuosity of players.
Antropologiczny aspekt pitagorejskiej koncepcji symetrii-harmonii
It is like pitagorejcztcy riddle with thousand possible solutions, addictive and rewarding for anyone who is in jazz for highest quality musicianship. And finally what is most surprising that its style is as much mainstream as avant-garde with its constant swirls of rhythm and melody.
By Maciej Nowotny http: Today it will be ggajda short here because music is so good that it is not time to waste on spilling out words. After saying so many warm words about Tomasz let me now turn spotlight to Zbigniew Seifert. Although he was classically trained violinist he begun to play jazz using alto saxophone which was result of his fascination with John Coltrane.
With this record however he decided to go back to violin, often electrically transofrmed and treated as saxophone in Trane’s manner. It gave the music on this album the unique fusion blend so similar to Miles Davis recording of that pitagodejczycy like Bitches Brew for example. Honestly speaking one is in confusion as to determine who is making bigger impression here: This composition is simply breathtaking and is also executed in perfect manner. Sadly only few years since that recording Seifert was to follow tragically in Komeda footsteps Thanks to Apostolis “Lakis” Anthimos, multi instrumentalist guitars, drums who at those times lived in Greece and managed to find there producer willing to invest money in this session.
Two above mentioned musicians are accompanied on this CD by Janusz Skowron playing keyboards, mainly Roland as far as I can hear. Jaruzelski in in order to suppress Solidarity movement. In this pot there are all necessary ingredients for even most choosy jazz fan to become interested in.
Second, Komeda compositions are still unsurpassed in Polish Jazz as far as sex appeal is concerned. But apart from fantastic work of these two musicians one is also truly amazed by very creative and lyrical play of Nelson Veras on guitar.
By this move Komeda compositions regained fresheness and ability to surprise again. Gary Thomas on tenor saxophone is making up for what is one of the most unusual and yet succesful bands playing Komeda music in history. Wonderful music, great musicians, one of the gems of year in Polish Jazz.
Wednesday, December 1, Code Numbers. When I was young I trained for a swimmer, usually swimming in sprint relays, being young however I preferred to swim solo. To my objections my old and experienced trainer always responded in such words: That is very much true in jazz as well and that pitagoeejczycy also why this recording is so astonishing.
Because all of a sudden from the deepest ranks of Polish Jazz team has come forth Joanna Gajda and recorded the CD that is simply outstanding! I find no words apt to express pitagorejczyycy wonder what they do to mainly modal pitagorejcztcy in one piece after another: Strong gospel connotations are omnipresent in this music pointing clearly enough where an idea of the title of album comes from.
Finally let me add that all these excellent compositions are written by Gjda Gajda. Great jazz woman appeared in Polish Jazz. People please believe in her! And I do and shall wait for her next CD very impatiently I you want to buy this record check this link: If you want to listen to more music from this album: Sunday, November 28, Dwootho – Space Pressures This is debut recording let me therefore start with names of musicians as it is proper to introduce them first: I would rather avoid to name musical genres which echo in this recording folk, rock, club music and many other because I feel that the only label describing properly this music is one of jazz which was once defined as simply “sound of surprise”.
Neither mainstream nor avantgarde this music is eluding all classifications and shall not be overlooked by anyone who values creativity, courage and individuality as expressed in melodies and rhythms.